Monday, October 21, 2013

Behind the scenes at a photo shoot - an awesome model and the best photo assistant ever make for a great day!



  Quick post, more to follow later. I shot all weekend at YouTopia, the San Diego Burning Man regional, then today did my second full on aerial studio shoot ever. The first was thrown together for a friend who needed some images and video for a demo. The incredible model is a friend of mine, but I have to say I was somewhat intimidated getting ready for this, since she has a resume that is simply off the charts. Also was worried because there is already another photographer who is a friend of mine and shoots the aerialists at our studio, so I was worried about poaching and stepping on toes. Luckily, as you can see from the behind the scenes shot above, I had the best assistant ever. And I think the model has another fan for life judging from his expression. (and for the record, when the final shots come out from this- the chain was totally his idea....) and the fellow photographer I was worried about showed up to help out as well (I only exploited the child labor as much as he wanted to help)

   Final edits will take a while since I am swamped with shoots this week (luckily, I have a nice two week out to sea for work soon, so lots of time to edit) but I have to say this was an awesome learning experience. I am still processing, both images and head wise, but here is the cliff notes version of what I learned:

1) There is definitely a flow between the photographer, model and assistants. I have not yet developed this flow. There were times that I could see something, but couldn't translate what was in my head into something my team could execute.

2) I need to pay way more attention to small details. There were lots of images I thought were awesome  at the click, but turned out to be "almost" awesome when looked at on the big screen. Things that I should have noticed and- if I had- would have been easy to correct and made a major improvement to the shot.

3) Speedlights are handy, but don't quite cut the mustard for a long, involved, fast paced shoot. I knew this already and am budgeting for some lighting purchases in the near future. I looked at renting, but the deposit requirements were such that I may as well have bought, so made due with what I had.

4) Never under rate serendipity. Despite #3, a couple of the shots that may wind up being keepers after the initial look came from one speedlight or another not recharging fast enough and giving some accidental but awesome chiaroscuro.

5) No matter how critical I am of my work or what finally comes out of it in the wash (and I do think there will be a few awesome shots coming out of this in the end) Spending an afternoon with friends and family playing around and trying to create something is just a phenomenal way to spend the day. Today was just plain fun.

6) For future aerial shoots, bring a massage therapist for my poor, patient model, who will most likely be sore as hell tomorrow from holding painful poses "just a little longer... one more shot....."


 And finally, #7) My friends and family totally rock. All in all a good day and think some good images will be coming soon.

Friday, October 11, 2013

Plagiarism, Jasmine Star, Captain Kirk, Lance Armstrong and how they all relate to a photography blog...


(This image has nothing to do with the rest of this post, but this is a photography blog, after all, and I needed an image for my social media reposter to grab, so here is one I like of my family from tonight's sunset. Good golden hour light- I pretty much live in a photographer's paradise...)


   Now. On to tonight's topic. Since I am still working on finding a way to make photography pay enough to be a viable retirement supplement in a few years time and will at be shooting a friend's wedding in a couple of months, I at least have to consider wedding photography, so I have spent time reading up on the topic. I definitely remember coming across the site, blog and tutorials from Jasmine Star. I think I found her stuff as a result of an interview or something I came across in a photography magazine. Can't really remember, but I do remember thinking her work was good and she clearly was on top of the wedding photography game. Then a couple of days ago I came across this article. Apparently, she and another big name photographer have recently been outed as plagiarizers.   I find I am reacting to this on multiple levels. 

    Even though I started shooting decades ago, I don't have a long history of putting myself out there as a photographer, but in addition to photography I have been a performance artist since high school, first theatre and more recently circus arts. In the art world, is has been said that "imitation is the sincerest form of flattery," (if I could find the source of that, I would document it, but I am pretty sure no one would be silly enough to think I coined that phrase) This is true, but it is a different beast from plagiarism. You watch the artists you admire, you learn from them. You try to imitate their techniques, their forms, etc. But you do it respectfully, paying tribute to those you learn from, giving them credit as your inspiration and ultimately seeking to blend influences from those inspirations with your own individual contribution, ultimately breaking away and forging your own new path. As Isaac Newton put it, "If I have seen further, it is by standing on the shoulders of giants." Even one of the fathers of modern science (and a reported egomaniac,) still gave credit to those who he had learned from. 
   
    I  hold  a Masters' in Social Science from Syracuse University. Earning this degree took five years of my life and a hell of a lot of writing, (not to mention an insane amount of wine, which seemed to help the writing process) all of which involved trying to synthesize the ideas of a lot of other authors and adding my own understanding, which being incredibly careful to cite anything and everything that could in any way be attributed to one of those sources. In this new age of students purchasing papers online and teachers using software and various algorithms to detect purchased essays,  it was very hard to make sure while I was writing that I was crediting everything appropriately. Sometimes, I had to go way back into my past, and see if I could remember where I had seen or heard a particular idea that led to a key insight on some topic or another, but ultimately I was able to say that, even if the ideas in my papers weren't all mine, the synthesis and analysis of those ideas was as much mine as it was possible for me to make it.

  In circus arts, we quite frequently see another performer do something we admire, especially in age of youtube. We take it back to the studio and try to deconstruct it. Or we learn something from an incredibly talented performer; in a class, at an open gym or skill share, and we add that to our vocabulary. But this is totally different from the wholesale copying of someone else's act. Whenever you do the move or show it to someone else, you mention where you learned it, who taught you, or even name the move after the person who came up with it (if you know the name). It is how the art grows.

   As a photographer, one of the most common pieces of advice you find is to study the works of the greats who came before. Find what you like and try to figure out how they did it. Learn from their style, their techniques, their visions. Try to imitate them as a way of learning technique, then add your own unique touch. I recently posted about my inability to come up with my own unique vision for a shoot, I am still in the imitation phase. But that is ok. I am sure there are some completely original wunderkinds out there, but most of us have to start with imitation of the greats before as a learning step before blazing new ground.

   So, what makes my blog different from Jasmine Star's? (other than the fact that she has millions of followers and sponsors, while I think I may be up to five regular readers...) I try to be honest. What you are getting is me, barely filtered. I am obviously new at this and am leaning heavily on the tripods of photographers before me who have been kind enough to try and teach others how to do what they do. If I have relied heavily on another blogger or tutorial prior to shooting something that winds up here, I will post links and definitely mention that person or site. Then I will try to make it clear how their advice worked in the particular instance that I am trying to show. Sometimes, the advice I am passing on is so generic that is is hard to find a single source to mention (things like- when shooting in low light, you need use a fast lens and high ISO). There are only so many ways to say certain things. So yes, a lot of blogs and how to posts will sound similar. Hell, even the bible says "there is nothing new under the sun, what has been will be again," (Ecclesiastes 1:9) So, I will try not only to share what I learn, but where I learned it, and from whom. If I ever get famous and popular enough to have ghost writers and a staff, or even an ego big enough to require such things, I hope that all of you original followers and friends will smack me upside the head and keep me honest.

    I think one of the best examples of how to take something and copy it while making it your own that I have seen recently is the newest Star Trek franchise movie, Into Darkness. If you haven't seen it yet, stop reading now because there may be some spoilers coming. Anyway, this film was JJ Abrams second reboot of the Star Trek universe. The first one had some nods to the original, but this second installment really took that to the next level. A decent film on its' own, this film was an amazing remake in a way of the second original Star Trek film, The Wrath of Kahn. At certain points of the film, I found myself laughing almost to the point of tears at the brilliant ways Abrams was able to almost completely recreate scenes from the older film, yet at the same time twisting them into something entirely new and unique. (which, I have to say, coming shortly after my rant about not being able to come up with my own ideas for shoots, has inspired me... more to come later on that).

  So- imitation is good, as a learning point. Crediting those you who have inspired you is mandatory. But imitation is not enough, you have to move on and make it your own. So, where does that leave Jasmine Star and company? For a lot of people she will be a fallen hero. While I did read a lot of her tutorials, I can't say she was a hero of mine. For me, the fallen hero icon of choice will always be Lance Armstrong. I read his books. I followed his tours. I must admit I had a bit of a man crush on him. He was pretty damn awesome. Then last year he finally admitted that he did use performance enhancing drugs. Something he had fervently denied in the past and I had believed. I am not really one to worship celebrity, or anything like that, but before that moment, if anyone had asked me who my heroes were, my answers were my grandfather and Lance Armstrong. I had a hard time dealing with his admission of guilt, I am still debating whether or not to delete his scene from DodgeBall from my motivational clips collection. But, as I was researching this post, I found this article on dealing with fallen heroes that says it better than I could.  Those heroes are human. Just like me, just like you. Even if Lance was taking PEDs, he still was working his ass off in order overcome a massive challenge. He won against a bunch of other people who were pretty much all taking the same measures he was. He still inspired millions and helped a lot of people beat cancer, and contributed a great deal to the betterment of humanity. Jasmine Star (or her ghost writers) copied from others, but she did take her own photos and build her business and name up to where it was. Even underneath the cheating, there is an actual wealth of talent in both cases.

   I like what the article linked above says. Take what you can learn from your gurus, but always remember that they are human, just like you and just like me. Learn from them; no only the good things, but also the bad. Try to learn not only from their successes, but also their failures. That is what I hope I can do here and I hope you can see me working through that. If I ever do make it to the status or a Jasmine Star or Lance Armstrong, I hope I can have the strength to learn from them and manage to keep myself honest and open, even when it isn't always pretty.  So that ends the rant on plagiarism. If you repost any of this, please just give me credit and a link ;-)

 

Wednesday, October 2, 2013

Kickin' it Old School... my first full on concert photography experience.


    So, despite its' general scariness and sketchiness, sometimes CraigsList pays off. Couple of weekends ago, I got a CL gig shooting the Magic 92.5 San Diego Old School Hip Hop Block Party.


    
    Like my first time shooting anything else, I spent lots of time looking through advice sites from people who do it well and whose work I admire. In this case mostly Todd Owyoung of IshootShows.com. If you are a long time reader, you will know this isn't the first time I have mentioned being a fan of his work and his site. Anyway, I did a lot of research. Seems like most of the shows out there will find a photographer fighting for a position in a crowded pit, and only able to shoot for the first 3-4 songs of a set. I guess I got broken in easily on this one. I had full access to everything. The pit, backstage, on stage, green and dressing rooms, even spend part of the day beforehand hanging out with the group that hired me for the shoot. 


   That was a funny story all on its' own. I wasn't really all that sure what to expect, this being a random thing from CL after all, could go anywhere from there. Met the crew at their hotel near the venue. They were looking for a pre-sound check bite to eat, we wound up at a cigar and wine bar close by. So it's me, the Hip Hop Crew, and a biker gang. (not pictured- but seriously, this crew were pretty much the extras from Sons of Anarchy, except the real thing) Anyway, at one point, I headed for the bathroom. Turns out there was only one unisex bathroom- not only was it occupied by one of the biker girls, but she had forgotten to lock the door. Ooops. Luckily she had a good sense of humor about it and the gang did not kill me. Crisis averted, it was back to the hotel to meet up with more of the crew and get ready for sound check. 


   So here I am shooting pics listening to Melle Mel  wax philosophical on the current state of hip hop, from Run DMC to  $.50. Then it was off to the sound check to get a few shots, survey the layout and get ready for the main event. 


    Quick dinner in the production room then it was game on. Turns out that not only did I have unlimited access and freedom to move around, I was also one of only four pros shooting the concert. There were two other still shooters and one videographer rolling in the pit. There were plenty of people with phones taking pics of course, and a lot of people running around with DSLRs using their popup flashes and kit lenses, but no real crowd of jostling lenses in the pit at all.That meant I got to have a lot of fun and play. I shot with all three of my big guns, shot at everything from 14mm to 200mm. At the distance I was at, I found myself defaulting to the 24-70mm for most of the show. Each lens had its' uses. 

    Overall, the closer in shots were the ones I liked the best. For these the 70-200 was the solution. 



    But often there was something I wanted to open up a bit for, and I am not good enough yet at following the action to stay completely in that close. That meant that for most of the show my go to choice was the 24-70mm. Got most of my favorite shots with that one. 



   I also brought the 14-24 out to play a little bit. I didn't really like shooting with it from the pit, because I was so low that the perspective got skewed and all the artists looked like they had enormous feet, miles of legs, and little heads. Interesting perspective maybe, but not exactly flattering shots. None that made the cut. Where the wide angle really was fun was shooting from backstage. I found that I really liked shooting from the stage perspective, lots of shots like these:



 Even shooting wide open at 2.8, the 14-24 really gave good depth of field and kept the audience from fading into a sea of bokeh.

  Since this is a technical-ish sort of blog, I guess I should mention how I shot these. I did play around with a lot of variety, but in general I was shooting shutter priority, 1/200-1/500 second, auto ISO capped at 12,800. Spot metering, cloudy white balance, -1/3EV exposure compensation. (seems to be my default on excalibur, if you didn't catch that from other posts). The only issues I had with these settings were when there was a combo of a dark skinned performer in a white suit, for those I had to switch over to center weight metering or switch to full manual, take a quick reading on the face and another on the costume, and split the difference. As incredible as the D4 is, even its' meter had trouble with shots like this one... 

 You can see how close the suit is to being blown out, I still had to do a lot of highlight recovery in post to get the detail back. The camera did have the dynamic range, but it took work. Really had to work to dial in a setup that let me recover both the shadow and the highlight details. 

  The one thing I found that even excalibur couldn't save, no matter how hard I tried, was the hat shadow. Lots of performers, especially in the hip hop world, like to wear hats. Baseball caps, fedoras, cop hats, pimp hats, etc.

   This really doesn't work so well when most of the lighting is coming down form above and the performers are mostly looking down at the audience. This leads to deep, unrecoverable shadows around the eyes of the performers unless they happen to be looking up when you hit the shutter. Took me a bit to learn to time my shots so you could actually see the eyes. Will have to see if I can find a way to deal with that in the future. 

   Overall, this was a great experience, I had a blast shooting. I learned a lot and got to play with all the toys. In parting, I will leave you with this advice, just because the focus is on stage, don't forget there there are lots of good stories happening in the audience as well, always look around for your shots.